Screen Prints

FAR FETCHED
by Jesse Jacobs

Silkscreen realized in 2018 by StranEdizioni in 8 colors.
100 numbered copies signed by the artist
Dimensions cm. 50 x 70
Packed in pvc clear bag
Shipped with cardboard tube.
This silkscreen is printed using Fluorescent colors.
To have a huge fluo effect use a Black light lamp - Wood - UV.

RATATA' FESTIVAL 2017
by Jesse Jacobs

Silkscreen realized in 2017 by StranEdizioni in 2 colors
60 numbered copies signed by the artist
Dimensions cm. 50 x 70
Packed in pvc clear bag
Shipped with cardboard tube

Genesis of a Catastrophe
Silkscreen realized by Maria Ginzburg.

Size cm. 50 x 70.
Printed in 15 numbered copies by La Luce Rossa.
Signed by the author.

Packed with clear plastic cover and shipped with cardboard tube.

Maria Ginzburg - Memories of the Dust Accordion Book The project is dedicated to the Apuan Alps and to all those landscapes which, for trivial reasons linked to profit-making purposes of private individuals, are in danger of disappearing. The intent is to highlight the problems generated by a system that compromises the complex balance of nature, of these mountains victims of mass production. The exhibition also highlights the passive acceptance by the community, of permanent damage to this collective heritage, which took millennia for its formation and which it will no longer be possible to recover future. The underlying theme of the work is the latent memory of calcium carbonate, the material that forms marble and yes presented as a powder, the genesis of which dates back to a life cycle and a thousand-year history of transformation and continuous structural modification, which leads to the creation of mountain ranges. In the contemporary world, this material, obtained by transforming extracted marble blocks into powder from the mountain, has recently gone from waste residue to speculation, now used for industrial whitening processes, involving products such as paper or toothpaste. The leporello presented at the exhibition, with the aim of narrating the duplicity of the path of this material, presents two different reading verses, which allow you to read the work both from right to left, and vice versa. This is to narrate, on the one hand, the very slow pace of the millennial natural evolutionary history of marble, with the complexity that guaranteed its formation, both to describe the destructive work of the human being and the speed with which the extraction processes irreparably and fatally affect the landscape. The visible contrast between the two sides shows the long-term consequences of harmful and selfish behaviors of man, offering a starting point for an ethical reflection and self-responsibility on the issues of pollution, offering an alternative perspective. A perspective in which education for environmental sustainability becomes an essential core to provide coordinates that can lead to more informed choices in everyday life, through the construction of a active and participatory critical awareness. The cultural investment allows a real emancipation from the logic of profit and enslavement, in which harmful consumer dynamics generate waste and an aggressive lifestyle towards the planet. All this leads to reflections on the possibility of creating a new way of understanding the collective and private space, in the light of alternative solutions that guarantee real well-being, which can be expressed through respectful and harmonious coexistence of man with the surrounding space, where well-being is not expressed solely in hedonistic attitudes, but in the real and tangible improvement of the quality of life. The meaning of our existence on the planet is found in the indispensability of empathy, of cooperation. In a point of view overall it is clear that the ethical sense of our daily life can only be acquired recognizing oneself in the different, be it the natural world of vegetation and animals, or man himself. In conclusion, the path traced in the pages of "memories of the dust" wants to affirm the link indissoluble bond that binds man to the surrounding environment, starting from the analysis of the processes of creation of life, and highlighting how much the loss of the ultimate meaning of living is the primary cause of inner malaise of the planet.

THE CASTLE OF THE DELOSIONAL POWERS
Accordion book by Maria Ginzburg.

It is a work that arises from the need to investigate the complex economic speculations that fuel the arms
and war market and power relations and private
interests that determine the genesis of a conflict highlighting the contradictions and drifts that arise
hide behind the dehumanizing rhetoric of violence and the consequent legitimization of
inhuman practiches.

Texts and illustrations by Maria Ginzburg.
Printed and bound by hand in silkscreen by the printing house La Luce Rossa.
Limited edition of 50 copies.
Cover in Favini Nero Burano paper weighing 339 grams
Interior in 170 gram Favini BiancoFlash Ivory paper.
Printed in August 2024.
Leporello dimensions closed cm. 25x25
Open leporello dimensions cm. 160x25
.

The Tower of Babel
Silkscreen realized by Maria Ginzburg.

Size cm. 70x100
Printed in 50 numbered copies by La Luce Rossa.
Signed by the author.

Packed with clear plastic cover and shipped with cardboard tube.

THE HIDDEN THINGS
by Nora.

Inside us there are things that work in secret, appearing
with perfect timing, following dirt paths hidden by leaves.
It matters little whether they choose sleep or wakefulness
to manifest themselves: the center of collective interest is
the operation of excavation and restitution in the light of
this elusive portion of feeling.
The tools, in this case, are pencils, squeegees and
brushes; we proceed through scraps and attempts,
until the most complete and disarming overview
of the (re)emerged lands, in the form of cartography.

This project was entirely conceived and created by Nora
in the months of September and October 2024, between
Rome and Carrara.
Edited, hand-printed and hand-bound by Nora and Juan
Carlos Allende in Carrara in the La Luce Rossa Art
Printing House, on behalf of Tabularasa Edizioni.
Introduction by Simone Lucciola and Stefano Dazzi
Dvořák.
Translations with the assistance of Richard Usher.

The Hidden Things has a print run of 100 signed and
numbered copies.
The entire cover and the 5 screenprints (31x31.5 cm)
are printed by hand, signed and numbered from 1 to 100
on Favini Biancoflash ivory paper.
.

33cm x 48cm 1994

21cm x 21cm
2016

HALF HUMAN
Screen Print by Gianluca Lerici aka Prof.Bad Trip

100 numbered copies
Dimensions cm. 50 x 70
2016

PIANTA MUTANTE
Screen print by Gianluca Lerici aka Prof. Bad Trip

100 numbered copies
Dimensions 50cm x 70cm
Year 2016

33cm x 48cm
2006

Sarà una Risata che vi Seppellirà
It will be a laugh that will bury you

Paris, 1905. Arrest of an anarcho-syndicalist during a strike.
The sneer of the working clas.s
Offset Anarchic Poster by Soccorso Rosso Militante.

Reprinted by Anomalia Bookshop, Roma, Italy.
Dimensions 70 x 100 cm
Shipped with cardboard tube.

Beta Test n°76
Screen Print by TommyGun Moretti

Dimensions cm. 35x100
Printed in 2019 by Strane Dizioni
60 signed and numbered copies